H. David Blalock, The Burning House: Book Two of the Thran Chronicles

Published by, 2004

Reviewed by TG Browning

As usual, recommendation first. First off, if you haven’t read book one, Thran Reborn, don’t start this one. Blalock originally wrote the entire series of six books as one very large, long book and you’re not going to be comfortable reading The Burning House without having read Thran Reborn. More importantly, much more importantly, you’ll be lost without that background. Worse, you probably won’t like this book, at all, without that background. So, that said, I have to also say that out of a score of five possible, I have to give this a two. I had problems, even though I read the first book.

Let me elaborate a bit and I urge you to read the entire review before you make up your mind on whether or not you’re interested in The Burning House.

My biggest issue is structure and it eclipses all other considerations. I have a great deal of difficulty following the action and keeping my interest, because Blalock has opted for what can be termed a multithreaded, simultaneous narration. The sections can’t be called chapters in the conventional sense, though they have titles that would indicate that they are indeed chapters. They leap from character to character, from setting to setting and one more or less has to keep quite a few things in memory as one moves along. That makes for challenging reading and I don’t knock the book because of that, alone.

That can be a very effective technique. In point of fact, that’s the structure Blalock uses for the first book in the series but it didn’t bother me nearly as much in book one as in book two. Perhaps it’s because such a technique requires one thing to be also present that wasn’t in The Burning House, for me at any rate.

One has to care about the characters and while I had strong feelings about the main protagonist (Daepar), they weren’t positive ones. Frankly, I couldn’t stand him. While Blalock obviously intended the reader not to be great buds with the character, I believe his intent was for the reader to be sympathetic to Daepar and I just couldn’t be. Now his first wife, Mara, her I had plenty of sympathy for and perhaps that is part of the reason I disliked the hero so much. His treatment of her is central to the book.

Keep in mind, what I’m complaining about is very much a personal preference and doesn’t reflect poor writing per se. There are any number of books I could name that are considered to be classics, landmarks in writing style and elegance, that I personally can’t stand and never have been able to finish, let alone read and enjoy. I finished this book, which goes to show I wasn’t that put off. I can’t recall the last time I read a book completely, that I disliked. I don’t bother.

Now, if you have read the first book and enjoyed it, I would strongly suggest that you buy and read this book as well. I doubt that the rest of the series would make any bloody sense without taking each one in order and reading it. Blalock’s writing requires attention to detail because he’s spent a long time crafting an intricate world for his story.

His story is worthwhile and engaging, but like a number of long works, has it’s good moments, bad moments, and all variations in-between. I found The Burning House to be one of those lesser moments perhaps, but then again, I never liked any of the part of The Two Towers that dealt with Frodo plodding his way to Mordor. And the entire section in The Return of the King that happens after the destruction of the ring is tied for my favorite part of the entire trilogy. If you’ve seen the DVD, then you know that the Jackson, the director of the three movies, personally hated that part of the trilogy and more or less dumped it form the end of the movie. But I’d defy anyone to characterize any portion of The Lord of the Rings as inferior.

All a matter of taste. And it this case, I’m afraid The Burning House didn’t suit my taste, at all.




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